That was a great experience, I haven't enjoyed playing that much at the Barbican for years. My bass felt so free and resonant, all of the wolf notes disappeared. They really are fantastic risers!

Colin Paris - Ehem. Solo-Kontrabassist London Symphony Orchestra

Not only do we hear ourselves better, our instruments sound like they've been replaced, as if a 'new engine' had been installed.

Simon Hartmann - Soloist Double Bass Symphonic Orchestra St. Gallen

It's absolutely fascinating how clear and transparent the bass section now sounds! What a great invention!

Alondra de la Parra - Conductor

What a joy to be able to play on the Resonanzio podium! My harp sounds wonderfully free and transparent!

Antonia Schreiber - Harpist

Every concert hall should have a Resonanzio soloist platform!

Kian Soltani - Cellist