OUR MISSION
We build high-quality acoustic modules with elegant designs for cellos, double basses,
and harps in orchestras and concert
halls.
OUR HISTORY
As principal double bass player of the Deutsche Kammerphilharmonie Bremen, Matthias Beltinger was familiar with the problem: Conventional orchestra podiums serve as risers, but do not improve the sound. Thus, the idea of Resonanzio podiums was born. They are the result of curiosity, a willingness to experiment, and patience. Our current products are based on a two-year development phase and more than ten years of application experience.
THE TEAM AT OUR
BREMEN MANUFACTORY
High-quality design, the craftsmanship of modern acoustic element construction, and the use of exquisite tonewoods – this combination makes Resonanzio podiums unique in the world. They are the result of curiosity, a spirit of experimentation, and patience. Each podium is individually crafted in our small factory in Bremen, Germany, in approximately 200 steps.
In over 50 locations worldwide
Elbphilharmonie Hamburg, London Symphony Orchestra, New York Philharmonic,
Toronto Symphony Orchestra, Freiburger Barockorchester,
Australian Chamber Orchestra, Deutsche Kammerphilharmonie Bremen, Tonhalle
Orchestra Zürich, Gürzenich Orchestra Cologne, Pierre Boulez Hall Berlin,
Philharmonia Luxemburg
Not only do we hear ourselves better, our instruments sound like they've been replaced, as if a 'new engine' had been installed.
It's absolutely fascinating how clear and transparent the bass section now sounds! What a great invention!
What a joy to be able to play on the Resonanzio podium! My harp sounds wonderfully free and transparent!
Every concert hall should have a Resonanzio soloist platform!
OUR ANSWERS
What is the difference between a Resonanzio podium and a conventional podium?
Conventional podiums merely serve as a heightening element. The Resonanzio podiums, with their carefully thought-out concept of significantly improving sound, are a highly effective acoustic module for concert halls thanks to their resonant board made of the finest tonewood.
Can we test the podiums in our concert hall?
Yes, that's possible. We have test platforms in various shapes and heights, and we can deliver them cost-effectively in sturdy transport crates via a freight company. We also offer a rental/purchase model for testing purposes. Inquire about the availability of our test platforms
Do the resonance podiums also work for a cello section in an orchestra?
With the flexible height of the resonance platforms, cellists don't sit significantly higher than the other musicians in the orchestra. The Classic resonance platforms are now used by cello sections in many symphony and chamber orchestras around the world.
Are the resonance podiums also suitable for churches?
Yes, the resonance platforms are very well suited for large, reverberant spaces such as churches. The sound of bass instruments, viols, wind instruments, and even harpsichords or chest organs is perceived in a focused and much more articulate manner.
Are the podiums available in different shapes and colors?
Yes, we offer various standard sizes, and any height from 12 cm upwards can be produced. Upon request, the pedestals can be manufactured in a shape different from the standard models. We also offer the pedestals in black.