{"id":12776,"date":"2023-11-30T10:06:05","date_gmt":"2023-11-30T10:06:05","guid":{"rendered":"https:\/\/resonanzio.de\/ueber-uns\/"},"modified":"2026-04-01T20:30:34","modified_gmt":"2026-04-01T20:30:34","slug":"sobre-nosotros","status":"publish","type":"page","link":"https:\/\/resonanzio.de\/es\/sobre-nosotros\/","title":{"rendered":"Sobre nosotros"},"content":{"rendered":"\t\t
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\n\t\t\t\t\t\t\tSOBRE NOSOTROS<\/span>\n\t\t\t\t\t\t\t\t\t\t\tHISTORIA<\/span>\n\t\t\t\t\t\t\t\t\t\t\tTEAM<\/span>\n\t\t\t\t\t\t\t\t\t\t\tFAQs<\/span>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t\t\tSOBRE NOSOTROS<\/span>\n\t\t\t\t\t\t\t\t\t\t\tHISTORIA<\/span>\n\t\t\t\t\t\t\t\t\t\t\tTEAM<\/span>\n\t\t\t\t\t\t\t\t\t\t\tFAQs<\/span>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t<\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Nuestra historia<\/h1>\t\t\t\t<\/div>\n\t\t\t\t
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Como contrabajista solista de la Deutsche Kammerphilharmonie Bremen, Matthias Beltinger conoce bien el problema: los podios tradicionales elevan al m\u00fasico, pero no mejoran el sonido.<\/p>

\u00a0<\/p>

Especialmente las frecuencias graves del contrabajo, el violonchelo y el arpa suelen sonar apagadas y confusas.<\/p>

\u00a0<\/p>

Durante casi dos a\u00f1os, Matthias y el carpintero\u2013dise\u00f1ador Bernhard Pr\u00f6sler desarrollaron podios de resonancia modernos que apoyan el sonido de los instrumentos de forma m\u00e1s clara, presente y rica en arm\u00f3nicos. As\u00ed comenz\u00f3 la historia de \u00e9xito de Resonanzio. Hoy en d\u00eda, nuestros podios se utilizan en m\u00e1s de 60 ciudades y pa\u00edses. Los m\u00fasicos destacan la mejora sonora natural y los equipos t\u00e9cnicos elogian la s\u00f3lida calidad artesanal.<\/p>

\u00a0<\/p>

Las numerosas opiniones positivas de nuestros clientes inspiran a nuestro equipo a seguir desarrollando podios de sonido y otros productos ac\u00fasticos. En 2024 dise\u00f1amos para la Freiburger Barockorchester un escenario de resonancia flexible y paredes ac\u00fasticas, que ahora forman parte de nuestro cat\u00e1logo.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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El concierto es emocion<\/h1>\t\t\t\t<\/div>\n\t\t\t\t
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Para nosotros, la experiencia del concierto es lo m\u00e1s importante. Con una resonancia clara desde el suelo, Resonanzio apoya a los m\u00fasicos en su interpretaci\u00f3n.

Ya sea en iglesias, fosos de orquesta o escenarios de concierto: el sonido de estos magn\u00edficos instrumentos se ve naturalmente reforzado en cualquier ac\u00fastica mediante claridad y riqueza arm\u00f3nica.

El sonido, m\u00e1s rico y lleno de arm\u00f3nicos alcanza a todas las personas en la sala, creando una sensaci\u00f3n de comunidad \u00fanica y una experiencia de concierto inolvidable

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pequeno pero bonito<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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EL EQUIPO DE NUESTRA F\u00c1BRICA DE BREMEN<\/span><\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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Uta Beyer<\/h5>\n\t\t\t\t\tDirector General<\/span>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n
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Matthias Beltinger<\/h5>\n\t\t\t\t\tM\u00fasico y fundador<\/span>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n
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Bernhard Pr\u00f6sler<\/h5>\n\t\t\t\t\tCarpintero de dise\u00f1o<\/span>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\t<\/div>\n\t\t
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La artesania da como resultado un sonido de maxima calidad<\/h1>\t\t\t\t<\/div>\n\t\t\t\t
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Dise\u00f1o de alta gama, carpinter\u00eda moderna aplicada a elementos ac\u00fasticos y el uso de maderas tonales selectas: esta combinaci\u00f3n hace que los podios Resonanzio sean \u00fanicos en el mundo. Son el resultado de la curiosidad, el esp\u00edritu innovador y la paciencia. Cada p\u00f3dium se fabrica de manera individual en unos 200 pasos de trabajo en nuestra peque\u00f1a manufactura de Bremen.<\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Resonanzio jugado en todo el mundo<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Elbphilharmonie, Pierre Boulez Saal Berlin, Musikhochschule Detmold, Musikschule Berlin-West, Sendesaal des Bayrischen<\/span> Rundfunks, Sendes\u00e4le des NDR Hamburg und Hannover, Philharmonie Essen, Konzerthaus Dortmund,<\/strong><\/span><\/p>

Freiburger Barockorchester, G\u00fcrzenich Orchester K\u00f6ln, Tonhalle-Orchester Z\u00fcrich, Orchester 1756 Wien, Kammerorchester Basel, Kammerakademie\u00a0Potsdam, Duisburger Philharmoniker, Bochumer Symphoniker, Staatsorchester Oldenburg, Staatsorchester Kassel,<\/span><\/strong><\/span><\/p>

London Symphony Orchestra, New York Philharmonic, Toronto Symphony Orchestra, Australian Chamber Orchestra, Philharmonie Luxemburg, Oslo Philharmonic Orchestra, \u00a0G\u00f6teborg Symphonie Orchester, Norwegian<\/span> Chamber Orchestra,\u00a0<\/span><\/strong><\/span><\/p>

y muchos m\u00e1s<\/span><\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Estaremos encantados de asesorarle<\/div><\/div>
Kontakt<\/a><\/div><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

SOBRE NOSOTROS HISTORIA TEAM FAQs SOBRE NOSOTROS HISTORIA TEAM FAQs Nuestra historia Como contrabajista solista de la Deutsche Kammerphilharmonie Bremen, Matthias Beltinger conoce bien el problema: los podios tradicionales elevan al m\u00fasico, pero no mejoran el sonido. \u00a0 Especialmente las frecuencias graves del contrabajo, el violonchelo y el arpa suelen sonar apagadas y confusas. \u00a0 Durante casi dos a\u00f1os, Matthias y el carpintero\u2013dise\u00f1ador Bernhard Pr\u00f6sler desarrollaron podios de resonancia modernos que apoyan el sonido de los instrumentos de forma m\u00e1s clara, presente y rica en arm\u00f3nicos. As\u00ed comenz\u00f3 la historia de \u00e9xito de Resonanzio. Hoy en d\u00eda, nuestros podios se…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-12776","page","type-page","status-publish","hentry"],"yoast_head":"\nResonanzio: die Story<\/title>\n<meta name=\"description\" content=\"Matthias Beltinger, Solo-Kontrabassist der Deutschen Kammerphilharmonie Bremen, ist Gr\u00fcnder der Firma Resonanzio\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/resonanzio.de\/en\/about-us\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resonanzio: die Story\" \/>\n<meta property=\"og:description\" content=\"Matthias Beltinger, Solo-Kontrabassist der Deutschen Kammerphilharmonie Bremen, ist Gr\u00fcnder der 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